Friday, 4 December 2015

The New York Ripper (1982)


Giallo mystery thrillers that employ prolonged murder sequences entailing graphic depictions of the victims’ demises and an excessive amount of young female nudity and sexually explicit imagery are one of the main innovators of the slasher film. A prime example of this is Sean S. Cunningham’s successful borrowing from Mario Bava’s excellent 1970 giallo/slasher prototype ‘A Bay of Blood’ ten years after its release with the effective Friday the 13th as it slashed its way through box office receipts igniting the slasher boom of the early ‘80s. The encapsulation of its giallo-esque atmosphere that would transcend through to its first three sequels, SFX maestro Tom Savini’s excellent work creating the blood-drenched set-pieces and supplemented with boobs and nookie cemented this Italian genre as a prime stylistic influence on this American horror sub-genre.