Friday, 3 May 2019

Day of the Woman: Feminist Revenge Exploitation in I Spit on Your Grave (1978)


Independently distributed by writer, director, editor, and co-producer Meir Zarchi in 1978, 'Day of the Woman' drew little attention on its limited rural drive-in circuit run. Zarchi pulled it due to hardly making anything back on the marketing costs, and it was quickly forgotten. Then a few years later in 1981, legendary exploitation producer/distributor the late Jerry Gross gave the film a wide release. He re-titled it to 'The Rape and Revenge of Jennifer Hill', and 'I Hate Your Guts', before settling on the now notorious 'I Spit on Your Grave', named after Michel Gast’s 1959 film noir, an adaptation of Boris Vian’s 1946 crime novel J’irai cracher sur vos tombes ('I Spit on Your Graves'). Meir Zarchi hates this title. Its infamy then went through the roof, garnering the attention of mainstream critics and their scathing narrow-minded views. “A vile bag of garbage”, proclaimed the late, often great, but sometimes imprudent, especially when it came to genre cinema, Roger Ebert. He and partner in pomposity, but at times great as well, the late Gene Siskel, led a misguided campaign against films featuring women in danger, with this as its leading example and prime target. Ironically, this became positive publicity, as it generated even more box office revenue, because the horror crowds lap up this kind of controversy.

Saturday, 1 September 2018

Apocalyptic Consumerism: George A. Romero’s Dawn of the Dead (1978) - A 40th Anniversary Retrospective


Almost a decade had gone by since George A. Romero revolutionized horror cinema with his reinvention of the zombie in 1968’s 'Night of the Living Dead', when he started to develop its follow-up. By this time, Romero’s reanimated, rotting, shambling, and flesh-eating undead, and his rules of how they can be killed - damage to the brain, or set on fire - were the definitive interpretation, becoming so iconic and forever deeply embedded in popular culture. Over these past 50 years, this incarnation has influenced every creator that has contributed to zombie mythology in all its forms - film, TV, books, comics, and video games. 

Saturday, 14 April 2018

Friday the 13th Part VII: The New Blood (1988) - A 30th Anniversary Retrospective


'Friday the 13th Part VII: The New Blood' opens with a very cool intro, albeit an unnecessary one. Fading in to a cemetery at night during a storm, we hear the voice of narrator Walt Gorney, who is familiar to fans of the franchise as the lovable Crazy Ralph in 'Friday the 13th' (1980), and 'Friday the 13th Part 2' (1981). Not that we need to be told at this point, but Gorney narrates how Jason Voorhees always comes back. Intercut with the footage of the cemetery is various moments from 'Part 2', Friday the 13th Part III (1982), 'Friday the 13th: The Final Chapter' (1984), and 'Friday the 13th Part VI: Jason Lives' (1986). The sequence returns frequently to the cemetery between these clips. This is until we see the headstone of Jason’s grave explode from a lightning strike, which is actually unused footage from 'Jason Lives', of which we are then shown a recap of its events that lead into the prologue of the story here. The narration finishes with, “People forget, he’s down there… waiting.”

Sunday, 11 March 2018

I Wish I Had a Death Sentence than Watch Death Wish (2018)


When his family’s home is robbed, surgeon Dr. Paul Kersey’s wife is murdered, and his daughter put in a coma. He (Bruce Willis) becomes frustrated by the police’s lack of progress in catching the people responsible, and coupled with his concerns of the alarming crime rate around him, and conversing with others about how inadequate the law is, one of whom is his father-in-law, he decides to start taking the law into his own hands. He takes a gun from a shot gang member brought into the hospital where he works, and wearing a hoodie, he goes out at night hunting the dregs of society. After his first killings of a group of hoodlums, he earns the nickname “The Grim Reaper”, when he is filmed on a smartphone by a witness, and the footage is uploaded to the internet. Then by chance, one of the men that had a part in the robbery on his house is brought into the ICU, wearing one of the watches that were taken. Using their phone, he gets the information he needs to help him track down the scumbags. More carnage follows.

Thursday, 4 January 2018

Clive Barker Has Such Sights to Show You: Hellraiser (1987) - 30 Years of Pleasure and Pain [Part 2 of 2]


In a showcase of SFX ingenuity, the resurrection of Frank Cotton is a remarkably repulsive sight of body horror that would make David Cronenberg proud. The gooey spectacle of the viscera of a human body reassembling itself from beneath the floorboards is a marvel of practical effects, which is pitch-perfectly executed by Bob Keen and his crew of special effects make-up artists.

Thursday, 19 October 2017

Three Ways to Re-Animate: Re-Animator (1985)


Re-Animator (1985) is Stuart Gordon’s loose contemporary adaptation of H. P. Lovecraft’s 1922 short story Herbert West – Reanimator, which was written as a parody of Mary Shelley’s most famous work, the 1818 Gothic novel Frankenstein; or, The Modern Prometheus. Thanks to the ingenuity of its SFX, Gordon’s film features imaginative and extremely gory set-pieces that show us just how disgusting the human anatomy really is. It also has a pitch perfect balance of body horror and black comedy, which makes for a campy and surreal experience. It is not particularly scary, but it is immensely grotesque, hilariously absurd, and shockingly disturbing in places. While the director’s vision gets to grips with the source material’s intended ridiculousness by Lovecraft, it is hard to imagine this batshit craziness working half as well if he had not put together such a great ensemble cast. There are three cuts of the film, and of course, only one is the true version.

Saturday, 23 September 2017

Clive Barker Has Such Sights to Show You: Hellraiser (1987) - 30 Years of Pleasure and Pain [Part 1 of 2]


Clive Barker’s 'Hellraiser' came along at a time when cinematic horror desperately needed to be taken more seriously again, needing not only groundbreaking innovation, but also it needed to go beyond our limits of what we consider taboo. While the film’s theme of sadomasochism may seem like old hat these days to desensitized genre audiences, it still stands up strong today as an imaginative experience in supernatural fantasy body horror that is as chilling, disturbing, and disgusting as it was when first released in 1987.

Saturday, 9 September 2017

Visiting the Perverted: Visitor Q (2001)


'Visitor Q' ('Bijitâ Q', 2001) is director Takashi Miike’s contribution to the Love Cinema series, which is made up of six ultra-low budget straight-to-video releases by independent filmmakers. They were made as an experimental project that explored Digital Video, in order to highlight the medium’s benefits for filmmakers in being cost effective and easy to use – low-lighting conditions, more mobility, etc. This is the last entry of the project.

Wednesday, 30 August 2017

Tobe Hooper Hated Us: The Texas Chain Saw Massacre (1974)


Tobe Hooper made 'The Texas Chain Saw Massacre' (1974) with one specific intension in mind - to hate us and ruthlessly attack us, both psychologically and emotionally. The film’s sole intention is to drive us mad with its insane sights of the macabre - a ferocious, gruelling, waking nightmare that authentically captures the syntax of one; Hooper’s superior artistry with pitch-perfect execution pushes our boundaries beyond limits. Everything depicted here causes an impact so deep in our psyches that we will not soon forget what we just experienced - sheer horror, as we suffer from anxiety, despair, and fear from the psychological mindfuck that it relentlessly hits us with, and our emotional response is to squirm with immense discomfort. 'The Texas Chain Saw Massacre' is an uncompromising exercise in cruelty and savagery entailing torture, mutilation, and murders. It features five prolonged sequences of maddening terror, and all its horrid events are encapsulated in a constant thick atmosphere of dread.

Hammer Horror at its Finest: The Revenge of Frankenstein (1958)


'The Curse of Frankenstein' was Hammer film productions’ first foray into Gothic horror in 1957. With its huge success came a revival of this brand of horror that was first made commercially successful from the 1930s to the 1950s, by Hollywood studio Universal. British production company Hammer based much of their output on the iconic screen monsters made famous by the American studio, but they would make gorier affairs for shock value. They resurrected Dracula a year later in 1958’s 'The Horror of Dracula', continued with 1959’s 'The Mummy', and 1962’s 'The Phantom of the Opera'. The Frankenstein, Dracula, and The Mummy franchises would spawn many sequels.

Thursday, 17 August 2017

Beginning My Love Affair with Italian Genre Cinema: 40 Years of Dario Argento’s Suspiria (1977)


Dario Argento’s first and best entry into his 'Three Mothers Trilogy', his 1977 masterpiece 'Suspiria', is the quintessential example of his supernatural horror work, which began my love affair with Italian genre cinema. It is a mesmerizing, virtuoso, psychological journey into maddening terror - a high art hypnotic exploration of a living waking nightmare.

Monday, 24 July 2017

A Vampiric Character Study: George A. Romero’s Martin (1978)


With 'Night of the Living Dead' (1968), George A. Romero rejuvenated the horror genre by reinventing the now iconic figure of the zombie in popular culture. His 1978 film 'Martin' – a realistic interpretation of the vampire mythology – was released right before the director would deliver his epic zombie masterpiece 'Dawn of the Dead' (1978), which would forever cement his reputation as the master of that sub-genre. This thought provoking and emotional spin on the legend of the vampire is creatively refreshing, and firmly stamps Romero’s auteur signature on the modern horror film.

Saturday, 17 June 2017

Humongously Underrated: Humongous (1982) – A 35th Anniversary Retrospective


Director Paul Lynch’s 'Humongous' was lumped in with all the Canadian slashers that came out during the early ’80s, which included Lynch’s other contribution the rather good 'Prom Night' (1980). It is very similar plot wise to the earlier 1980...

Saturday, 15 April 2017

Pandemic – CAT III Style: Ebola Syndrome (1996)


Directed by Herman Yau, 'Yi boh lai beng duk' ('Ebola Syndrome', 1996) is an infamous Hong Kong CAT III entry. Since 1988, Category III has been Hong Kong’s most restrictive certificate – “No persons younger than 18 years of age are permitted to rent, purchase, or watch this film in the cinema.” The content of the films are extremely graphic in nature with gory depictions of violence and/or are sexually explicit. It stars Anthony Wong, who also starred in Yau’s earlier, and equally vile (in a good way), 'Bat sin fan dim: Yan yuk cha siu bau' ('The Untold Story', 1993). Kai San (Wong) is the most despicable human being you could hope not to meet – a perverted, violent, demented scumbag who has no qualms of raping and murdering.

Thursday, 16 March 2017

A Descent into Hell: Angel Heart (1987) - A 30th Anniversary Retrospective


Written and directed by British maverick filmmaker Alan Parker and adapted from the novel Falling Angel by William Hjortsberg, 'Angel Heart' is a mystery pastiche of hardboiled film noir and psychological supernatural occult horror, a hybrid of Chandler-esque detective story...

Monday, 13 March 2017

The Dark Side of Love: Romeo’s Distress (2016)


'Romeo’s Distress' (2016) is a micro-budgeted production that is a shining star of an example of when serious talent and very hard work gets the most out of such meagre resources. The result is high production values and an effective filmmaking vision to rival bigger budget genre fare. A deftly executed and freshly original horror, it is a quirky character study – an impassioned fusion of Gothic and Shakespearian sensibilities, meshed with David Lynch/John Waters-esque offbeat weirdness.

Friday, 13 January 2017

35th Anniversary Retrospective: Friday the 13th Part III (1982)


The slasher sub-genre really came into its own in the early 1980s; thanks to the film that spawned this franchise, everyone with even just an ounce of filmmaking know-how was capitalizing on the slasher boom that Friday the 13th induced...

Monday, 9 January 2017

Beyond the Gore: Beyond the Darkness (1979)


'Buio Omega/Beyond the Darkness' (1979), is a unique gore film in that it focuses more on the bodies of its female victims when they are deceased rather than when they are attacked when living, entailing sickening scenes of their dismemberment. There is also the ghastly sight of...

Friday, 6 January 2017

New Year’s Evil (1980)


After the phenomenal commercial success of 1980’s Friday the 13th, itself an opportunistic cash-in on the success of the 1978 template slasher innovator, Halloween, along came a sharpish Cannon Films, wanting a slice of the slasher pie. The founders of…  

Sunday, 25 December 2016

The Top 5 Best Slasher Treats to Cut Through Your Christmas Stockings


The exploitative sub-genre known as the slasher film is a very basic type of horror rarely challenging its audience. It relies purely on its unsophistication with familiar tropes to entertain, employing a simple chase-and-kill formula with often campy and cheesy...